chicago ballet arts

Maliwan (Molly) Diemer began her dance training in Columbus, Ohio at the age of three. She continued her studies with RAD certified teacher, Ng Siew Fong while her family lived abroad. Ballet became her passion and by the age of thirteen Molly had been invited to study and perform with Indiana University's Ballet Theater, where she trained with Violette Verdy, Jean-Pierre Bonnefoux, Patricia McBride, Jacques and Virginia Cesbron, Leslie Peck and Doricha Sales, along with notable guest choreographers, teachers and artistic directors.

A long time instructor for Indiana University's Pre-College Ballet Program, she also spent a year as Associate Instructor for the African American Dance Company under the direction of Iris Rosa. Molly served on faculty at Chicago's first public arts high school, The Chicago High School for the Arts for nine years. She was formerly on faculty at the Lou Conte Dance Studio from 2005 until its closure in 2020 and at the Joffrey Academy of Dance. Molly is currently on faculty at Visceral Dance Center. She has taught company class for DanceWorks Chicago, Deeply Rooted Dance Theater and Visceral Dance Chicago, and has been a guest coach and teacher for the University of Chicago's UBallet and Empower Dance Company. Her previous arts administration roles include Dance Curriculum Supervisor for Chicago Public Schools, Manager of PR and Special Events for The Theatre School at DePaul University, and working for Hubbard Street as Studio Manager for the Lou Conte Dance Studio.

With her husband, Matt, Molly competed professionally as a ballroom dancer. She is a 2-time U.S. National Rising Star Smooth finalist and a U.S. National 10-Dance finalist and has won Professional Rising Star and Open events across the country in Smooth, Latin and Standard. 

She holds a M.A. in Arts Administration and a B.S.O.F. in Ballet and Political Science, magna cum laude, both from Indiana University.

Molly joined CBA in 2007 as Performance Project Director and soon after began teaching the upper levels. She was honored to begin in the position of Artistic and Executive Director in August of 2020. 

Maan Almodovar was excited to join the CBA family in 2020, to share her passion and love for ballet. An integral component for the higher levels, Maan recently taught as a Pre-Professional ballet instructor, teaching and mentoring students levels IV - VI at the Joffrey Academy of Dance. While at the Academy, she staged classical variations and corps de ballet work for performances, and coached dancers for Youth America Grand Prix. Maan is currently on faculty at The Chicago High School for the Arts, teaching Body Conditioning and Ballet.

She received her dance training from Sherry Moray and Homer Bryant. In 2000, Maan placed 1st in the regional Junior Classical division at Youth America Grand Prix. The following year she placed top 12 in the overall Senior division, as well as, top 12 in New York for the Senior Contemporary division. From 2002-2004, Maan danced with the Alabama Ballet under the guidance and directors Wes Chapman and Roger Van Fleteran. There she performed Arabian in George Balanchine's The Nutcracker and various roles in Cinderella, Romeo and Juliet, and Swan Lake. Following her time at Alabama Ballet, Maan returned to Chicago and performed with the Lyric Opera of Chicago, working with choreographer, Daniel Pelzig in Die Fledermaus. In addition to her dance background, Maan is a Stott-trained Pilates instructor, previously managing a Pilates studio in Lakeview, One Hundred Fitness, from 2010-2018, where she managed and taught Adult Ballet, Zumba, and Pilates.

Mai Claypool was born in Saitama, Japan. She trained at Kishi Ballet studio, The Matsuyama Ballet School in Tokyo, Japan, The Joffrey Ballet School and Steps on Broadway in NYC under the direction of Yoko Kishi, Yoko Morishita, David Howard, Finis Jhung, Michael O’Brian, Francesca Corkle and Eleanor D’Antuono. She has received awards from ballet competitions, such as the Hope Award and Achievement of Excellence. Mai danced with Lyric Opera of Chicago, Florida Dance Theatre and Metropolitan Ballet.

She has turned her passion for dance towards teaching and spreading the joy of dance. She has been teaching ballet, pointe, variations, modern and contemporary at several schools in New York, Illinois, Florida and Japan. She has taught at Hubbard Street's Youth Program and The Joffrey Academy of Dance. Mai is an American Ballet Theatre® Certified Teacher in levels Primary through Level 7 of the ABT® National Training Curriculum.

Melanie Cortier (Choreographer/ Artistic Director Eidolon Ballet) has danced professionally with several companies and choreographers throughout the U.S. and abroad, including Michael Mao Dance, Dances Patrelle, Lydia Johnson, Stamford Ballet, American National Ballet, and Gen Horiuchi, for whom she was dance captain at the Opening Ceremonies of the 1998 Winter Olympics (Nagano, Japan).  She graduated cum laude from Marymount Manhattan College with a BFA in Dance and has choreographed for Phoenix Productions (Evita), The Puppeteer Cooperative, as well as over 20 ballets for Eidolon Ballet where she has been resident choreographer since its inception.

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She has been on faculty at Chicago Ballet Arts, Ballet Academy East New York, and has guest taught at Steps on Broadway, the 92nd St Y Harkness Dance Center, American Youth Dance Theatre, and Ball State University. Her choreography has been has performed at The Joyce SoHo, Ailey Citibank Theater, Lincoln Center’s Clark Studio Theater, Lincoln Center’s Out-of-Doors Festival, New York City Center, Dance Parade’s Dance Fest at Tompkin’s Square Park, The Downtown Dance Festival, Merce Cunningham Studio Theater, Steps on Broadway, The Bridge for Dance, Dixon Place, The Brecht Forum, Borders Bookstore at 57th Street, Summerstreets, the CBS morning show, White Wave Cool NY Dance Festival, Dumbo Dance Festival, Dance Tracks Choreography Showcase, the 92nd St Y Harkness Dance Center, The New York Fringe Festival, Chicago Freelance Dance, Link's Hall, Chicago Ballet Arts at Dance in the Parks, and The Inside/Out Series at Jacob's Pillow Dance Festival. 

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Photo Credit: Lois Greenfield

Anabelle began her dance training at the age of 4, at De la Dance Center in Cincinnati, Ohio, under her parents, Meridith Benson and Mario de la Nuez. She performed with de la Dance Company for 16 years, growing from Nutcracker roles all the way to principal roles in Giselle, Swan Lake, La Sylphide, Cinderella, and more. During her time as a student, Anabelle attended many summer intensives, including at American Ballet Theatre's, and took part in numerous competitions including the Youth America Grand Prix. In both 2018 and 2019, she earned invitations to the NYC finals.

At the age of 17, Anabelle was offered a contract with The Joffrey Ballet. She has performed at The Lyric Opera House, The Auditorium, and The Harris Theater, as well as many stages across the world! Anabelle has danced lead roles such as Marie in The Nutcracker and has traveled the globe performing renowned works by world-renowned choreographers. She is currently in her fifth season with the company.

Patti Eylar started ballet in California as a child and later trained at the Maryland Youth Ballet.  At 17 she moved to NY to study on scholarship at the American Ballet Theatre School with Patricia Wilde, Leon Danielian and Valentina Pereyaslavec. After a summer of study with Melissa Hayden, she moved to Chicago in 1977 to join the Lyric Opera Ballet and was a founding member of the Chicago City Ballet, directed by Maria Tallchief and Paul Mejia.  Her favorite ballets there were George Balanchine’s  Rubies, Valse Fantasie, Four Temperments, Concerto Barocco and Divertimento #15 and Paul Mejia’s Cinderella.  She then danced with Ballet Chicago, directed by Daniel Duell, from its inception in 1987 until 1993.  Notable ballets there include Balanchine’s Square Dance and Allegro Brillante, Gordon Pierce Schmidt’s By Django and Duell’s Octet a tete, which was shown on WTTW.  She was also a soloist in Ruth Page’s Nutcracker at the Arie Crown Theater, dancing the roles of Columbine Doll and Marzipan, directed by Dolores and Larry Long.

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She was a faculty member and accountant at the School of Ballet Chicago from 1995 to 2001, and started teaching at Chicago Ballet Arts in 2002.  In 2005, she and Leslie Saunders became Co-Directors of CBA.  Patti has also been on the faculty of the Lou Conte Dance Studio since 2002, and teaches company class for Cerqua Rivera Dance Theatre and Giordano Dance Chicago. 

Patti has served on the Boards of the Chicago Dance Coalition, Chicago Dance and Music Alliance, and the Civic Ballet of Chicago. She is currently a Board member of the Joffrey Ballet Women's Board, Chicago Dancers United and Audience Architects, Chicago’s dance service organization.  In 2011 she received the Ruth Page Award for her contributions to the Chicago dance community, and in 2014 she and her husband, Charles Gardner, received the JUBA award from the Chicago Human Rhythm Project. She is amused to be a recognizable extra in the film, The Company, seen in a box seat at the Auditorium Theatre with Malcolm McDowell as the credits roll.

Arden Lapin began her dance training at Chicago Ballet Arts. She continued her studies at Western Michigan University, where she graduated with a B.F.A. in Dance and minor in Gender and Women's Studies with magna cum laude honors in 2019. While at WMU, Arden performed choreography by artists such as Kyle Abraham and Aszure Barton and was in the original cast of works by Christian Denice and Joshua Manculich. She created several pieces at WMU, including a self-choreographed solo "Forget Me Not," which was selected for performance at the Winter Gala Dance Concert, the American College Dance Association East-Central Conference, Chicago's Dance in the Parks, and the Detroit Dance City Festival in 2019. While dancing with COMMON conservatory, Arden choreographed two works for the company and performed in several pieces created by Alice Klock, Anna Long, Terence Marling, Jackie Nowicki, and many others. 

Paula J. Peters (MFA) is a dance artist, educator, author, and administrator based in Chicago, IL. Her teaching, scholarly, and creative research explores the many facets of jazz dance aesthetics, and pedagogy methods which serve all types of learners. Her choreography has been presented at Men In Dance, Cornish Dance Theater, University of Washington, SUNY Fredonia, University at Buffalo, MuCCC Dance Festival, Ujima Theatre Company, Teatro Zinzanni Chicago, BOOSTmeUp Festival, American College Dance Association and International Dance Day Festival, Lebanon. She has presented original research at Society for Dance History Scholars, Popular Culture Association, Dance Educators Association of Washington, New York State Dance Education Association, Dance Studies Association, and National Dance Education Organization national conferences, and her scholarship has been published in Seattle Dance Magazine, the Journal of Dance Education in Practice, in the textbook Rooted Jazz Dance: Africanist Aesthetics and Equity in the 21st Century, and she was awarded the 2021 Outstanding Dance Researcher award by the New York State Dance Education Association, and was nominated for the SUNY Presidential Award for Excellence in Teaching and Learning. She was faculty at Cornish College of the Arts, Cornish Preparatory Dance, Dance Fremont, University of Washington, and Pacific Lutheran University, and served as an Associate Professor of Dance and the Dance Program Director for SUNY Fredonia (2016-2023). In addition to teaching, she served at the New York State level as the University Faculty Senator for SUNY Fredonia, advocating for fair and transparent shared governance policies between SUNY campuses and SUNY system administration. During her time at Fredonia, she revised the Bachelor of Fine Arts in Dance curriculum to be in alignment with National Association of Schools of Dance educational standards and created a new Bachelor of Science degree in Dance to provide students the opportunity to pursue dual degrees in dance and another discipline. Prior to entering academia, she was a principal dancer with Spectrum Dance Theater in Seattle (1991-2005), performing and restaging works by choreographers of national and international prominence such as Anne Reinking, Lynne Taylor-Corbett, Claire Bataille, Frank Chaves, Dwight Rhoden, Danny Buraczeski, Donald Byrd, Margo Sappington, and Daniel Ezralow. Her core values as an educator are to ensure that students of all backgrounds, abilities, and ages develop a deep curiosity about the world around them, and how to apply the discipline, focus, and joy of effort learned in the dance classroom to every goal they pursue.

Kim Sagami’s professional background began with American Ballet Theater II, she then joined The Joffrey Ballet under the directorship of Robert Joffrey and Gerald Arpino and completed her career with the National Tour of Phantom of the Opera. With The Joffrey Ballet for fourteen years, Kim participated in many historical dance restorations and revivals, as well as newly commissioned works by a wide range of choreographers such as Ashton, Arpino, Cranko, Kudelka, King, Nijinsky, Nijinska, Massine, Tudor, Taylor, Dean, Moulton, Pucci, Kylian, Morris, Sander, Joffrey, and Balanchine. In 2004, she received her professional Bachelor’s degree in Architecture from the Illinois Institute of Technology in Chicago. Kim combines the concepts of architecture and design in the dance studio.

Presently, she teaches in Chicago and the surrounding area during the school year and also travels around the country teaching and staging ballets. She is a board member and répétiteur of The Gerald Arpino Foundation, répétiteur of the Edward Stierle Trust, certified in Zena Rommett Floor Barre™ and Yoga Narada founded by Hilary Cartwright. 

Leslie Saunders is from Columbia, S.C., where she received her early training from Ann Brodie and frequent guest teachers Michael Lland and Igor Schwetzoff.  Before attending the School of American Ballet, she spent her summers studying at SAB, American Ballet Theater (Patricia Wilde), Harkness House (David Howard), and at Melissa Hayden’s NY Studio.  While at SAB Leslie performed with small troupes lead by Jacques d’Amboise and Jean-Pierre Bonnefous, and participated in the SAB Workshop Performances and Lecture-Demonstration Program.  

Leslie danced with Columbia City Ballet (Ann Brodie), the Los Angeles Ballet (John Clifford), the Chicago Lyric Opera Ballet (Maria Tallchief), and the Richmond Ballet (Stoner Winslett). She danced featured roles in The Nutcracker, Swan Lake, Sleeping Beauty, Giselle, Cinderella, Copélia, Don Quixote, La Sylphide, Les Sylphides, Paquita, Divertimento # 15, Allegro Brilliante, Concerto Barocco, Handel Celebration, Aubade, and The Green Table.  

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Leslie began teaching ballet at her first ballet school, Calvert-Brodie School of Dance, and later taught at the School of the Richmond Ballet while dancing in the Richmond Ballet. In 1991 Leslie began teaching with Clare Carmichael at Chicago Ballet Arts, then known as Montay. At CBA, Leslie has performed several times in the school’s concerts and benefits, most memorably in 2002 in The Eye of the Beholder where she danced works created for her by Ms. Carmichael and Terence Marling.  Leslie became Co-Director of Chicago Ballet Arts in 2005 and served in this role through July of 2020.

Originally from Buenos Aires, Argentina, Lucas Segovia began his dance training at the age of 16. Just three years later, he joined Ballet Argentino as a Soloist under the direction of Julio Bocca. He quickly rose through the ranks, earning a promotion to Principal Dancer and the distinct honor of performing a solo in Bocca’s farewell performance before an audience of more than 300,000.

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Lucas has been a member of major international companies, including The Washington Ballet, Morphoses/The Wheeldon Company under Christopher Wheeldon, and The Joffrey Ballet. During his time at The Joffrey Ballet, he performed extensively across the company’s repertoire as both a Soloist and Principal Dancer. His repertoire spans a wide range of iconic works by leading choreographers such as George Balanchine, Jerome Robbins, Twyla Tharp, Mark Morris, Christopher Wheeldon, Wayne McGregor, Alexei Ratmansky, William Forsythe, Val Caniparoli, Yuri Possokhov, and Annabelle Lopez Ochoa.

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In addition to his classical and contemporary work, Mr. Segovia has appeared in several musical theatre productions, including West Side Story at Drury Lane Theatre, where he portrayed Bernardo, as well as the Broadway productions of An American in Paris and Brigadoon.

Throughout his career, Lucas has performed in over 450 cities worldwide, appearing on many of the world’s most prestigious stages. His achievements have been recognized with the Premio Clarín, one of Argentina’s highest arts awards.

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As an educator and coach, Lucas has taught master classes throughout the United States and internationally, including in Hong Kong, Puerto Rico, and Amsterdam. He has served as a guest teacher at institutions such as Northwestern University and Point Park University, as well as with organizations including Gus Giordano Jazz Dance Company, Chicago Repertory Ballet, and Boca Ballet Theatre.

As a director and leader, Lucas is the Artistic Director of Rockford Dance Company, where he has directed and choreographed original productions of renowned ballets, working with casts of more than 130 dancers, singers, and actors.

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