Artistic and Exectuive Director
Ballet 5, 6 & 8, Pointe &
Senior Ensemble Director
Maliwan (Molly) Diemer began her dance training in Columbus, Ohio at the age of three. She continued her studies with RAD certified teacher, Ng Siew Fong while her family lived abroad. Ballet became her passion and by the age of thirteen Molly had been invited to study and perform with Indiana University's Ballet Theater, where she trained with Violette Verdy, Jean-Pierre Bonnefoux, Patricia McBride, Jacques and Virginia Cesbron, Leslie Peck and Doricha Sales, along with notable guest choreographers and directors.
A long time instructor for Indiana University's Pre-College Ballet Program, she also spent a year as Associate Instructor for the African American Dance Company under the direction of Iris Rosa. Molly currently teaches in Chicago and is on faculty at Chicago's first public arts high school, The Chicago High School for the Arts. She was also on faculty at the Lou Conte Dance Studio from 2005 until its closure in 2020. Molly is a guest instructor for Empower Dance Company and has been a guest coach and teacher for the University of Chicago's UBallet. She has taught for the Joffrey Academy of Dance and has taught company class for DanceWorks Chicago and Deeply Rooted Dance Theater.
With her husband, Matt, Molly competed professionally as a ballroom dancer. She is a 2-time U.S. National Rising Star Smooth finalist and a U.S. National 10-Dance finalist and has won Professional Rising Star and Open events across the country in Smooth, Latin and Standard.
She holds a M.A. in Arts Administration and a B.S.O.F. in Ballet and Political Science, magna cum laude, both from Indiana University.
Molly joined CBA in 2007 as Performance Project Director. She is thrilled to step into her new role as Artistic and Executive Director beginning with the 2020-21 school year.
Ballet 3, 5, & 7, Pointe & Junior Ensemble Director
Leslie Saunders is from Columbia, S.C., where she received her early training from Ann Brodie and frequent guest teachers Michael Lland and Igor Schwetzoff. Before attending the School of American Ballet, she spent her summers studying at SAB, American Ballet Theater (Patricia Wilde), Harkness House (David Howard), and at Melissa Hayden’s NY Studio. While at SAB Leslie performed with small troupes lead by Jacques d’Amboise and Jean-Pierre Bonnefous, and participated in the SAB Workshop Performances and Lecture-Demonstration Program.
Leslie danced with Columbia City Ballet (Ann Brodie), the Los Angeles Ballet (John Clifford), the Chicago Lyric Opera Ballet (Maria Tallchief), and the Richmond Ballet (Stoner Winslett). She danced featured roles in The Nutcracker, Swan Lake, Sleeping Beauty, Giselle, Cinderella, Copélia, Don Quixote, La Sylphide, Les Sylphides, Paquita, Divertimento # 15, Allegro Brilliante, Concerto Barocco, Handel Celebration, Aubade, and The Green Table.
Leslie began teaching ballet at her first ballet school, Calvert-Brodie School of Dance, and later taught at the School of the Richmond Ballet while dancing in the Richmond Ballet. In 1991 Leslie began teaching with Clare Carmichael at Chicago Ballet Arts, then known as Montay. At CBA Leslie has performed several times in the school’s concerts and benefits, most memorably in 2002 in The Eye of the Beholder where she danced works created for her by Ms. Carmichael and Terence Marling. Leslie became Co-Director of Chicago Ballet Arts in 2005.
Maxine Lapin began her ballet training at the age of four at Chicago Ballet Arts. She continued under the instruction of Clare Carmichael, Catalina Garza, Patti Eylar, Leslie Saunders, Calvin Kitten, Amy Rose, Lauren Schultz, and more. In college at Tulane University, Maxine continued to study ballet, and acted as stage manager for CBA’s spring performances, as well as helping with administrative duties and later becoming a ballet teaching assistant. She also has worked with the children’s cast of Christopher Wheeldon’s The Nutcracker at the Joffrey Ballet for two years. Outside of ballet, Maxine has been a Teacher Associate for sixth and second grades, and is preparing for a master’s degree in education in Chicago. She has been involved with Chicago Ballet Arts for over two decades, and officially joined the CBA Faculty in 2018.
Ballet 6 & 7 & Pointe
Kim Sagami’s professional background began with American Ballet Theater II, she then joined The Joffrey Ballet under the directorship of Robert Joffrey and Gerald Arpino and completed her career with the National Tour of Phantom of the Opera. With The Joffrey Ballet for fourteen years, Kim participated in many historical dance restorations and revivals, as well as newly commissioned works by a wide range of choreographers such as Ashton, Arpino, Cranko, Kudelka, King, Nijinsky, Nijinska, Massine, Tudor, Taylor, Dean, Moulton, Pucci, Kylian, Morris, Sander, Joffrey, and Balanchine.
Presently, she teaches in Chicago during the school year and also travels around the country teaching ballet summer intensives. In the fall of 2010, Kim joined the dance conservatory faculty at The Chicago High School for the Arts, where she taught for many years.
In 2004, she received her professional Bachelor’s degree in Architecture from the Illinois Institute of Technology in Chicago. Kim maintains time between both architecture and dance.
Ballet 7 & Modern 2 & 3
Sarah Cecile Goldstone received her Bachelor of Fine Arts Degree from The Juilliard School in 2009. While at Juilliard, she trained intensely with world-renowned teachers Lawrence Rhodes, Risa Steinberg, and Alphonse Poulin. She had the privilege to perform the repertory of Ohad Naharin, Julian Barnett, Twyla Tharp, Lar Lubovitch, and Jose Limon as well as new creations by Larry Keigwin, Azure Barton, Nicolo Fonte, and Matthew Neenan. Originally from Santa Fe, NM, Sarah performed extensively with Moving People Dance, working with choreographers Sam Watson, Robert Moses, Max Stone, Gail Gilbert, and Ronn Stewart. Sarah relocated to Chicago in 2009 and has danced professionally with Same Planet Different World Dance Company and with DanceWorks Chicago, under Artistic Director Julie Nakagawa. She is the Artistic Director and co-founder of Foster Dance Studios.
She is a certified GYROTONIC® exercise and GYROKINESIS® exercise instructor. GYROTONIC® and GYROKINESIS® have registered trademarks of Gyrotonic Sales Corp and are used with their permission.
Pre Ballet - Ballet 8
Ballet 7 & 8, Pointe & Conditioning
Patti Eylar started ballet in California as a child and later trained at the Maryland Youth Ballet. At 17 she moved to NY to study on scholarship at the American Ballet Theatre School with Patricia Wilde, Leon Danielian and Valentina Pereyaslavec. After a summer of study with Melissa Hayden, she moved to Chicago in 1977 to join the Lyric Opera Ballet and was a founding member of the Chicago City Ballet, directed by Maria Tallchief and Paul Mejia. Her favorite ballets there were George Balanchine’s Rubies, Valse Fantasie, Four Temperments, Concerto Barocco and Divertimento #15 and Paul Mejia’s Cinderella. She then danced with Ballet Chicago, directed by Daniel Duell, from its inception in 1987 until 1993. Notable ballets there include Balanchine’s Square Dance and Allegro Brillante, Gordon Pierce Schmidt’s By Django and Duell’s Octet a tete, which was shown on WTTW. She was also a soloist in Ruth Page’s Nutcracker at the Arie Crown Theater, dancing the roles of Columbine Doll and Marzipan, directed by Dolores and Larry Long.
She was a faculty member and accountant at the School of Ballet Chicago from 1995 to 2001, and started teaching at Chicago Ballet Arts in 2002. In 2005, she and Leslie Saunders became Co-Directors of CBA. Patti has also been on the faculty of the Lou Conte Dance Studio since 2002, and teaches company class for Cerqua Rivera Dance Theatre and Giordano Dance Chicago.
Patti has served on the Boards of the Chicago Dance Coalition, Chicago Dance and Music Alliance, and the Civic Ballet of Chicago. She is currently a Board member of the Joffrey Ballet Women's Board, Chicago Dancers United and Audience Architects, Chicago’s dance service organization. In 2011 she received the Ruth Page Award for her contributions to the Chicago dance community, and in 2014 she and her husband, Charles Gardner, received the JUBA award from the Chicago Human Rhythm Project. She is amused to be a recognizable extra in the film, The Company, seen in a box seat at the Auditorium Theatre with Malcolm McDowell as the credits roll.
MARIBEL B. YADAO
Pre Ballet, Ballet 1 & Pre Pointe
Maribel Yadao, also known as "Miss Mari," began her ballet training at the age of 6 with Clare Carmichel and Leslie Saunders at Chicago Ballet Arts (CBA). She continued her training at CBA with Amy Rose and Calvin Kitten. In addition to CBA, Miss Mari trained with Larry Long at The Ruth Page Center for the Arts. In her youth, Miss Mari performed in Coppelia with Ballet Chicago, The Nutcracker with The Ruth Page Center for the Arts as well as The Nutcracker with the Joffrey Ballet. She also danced at a summer intensive in Detroit, Michigan with the American Ballet Theater. Miss Mari has been happily teaching Pre-Ballet and Beginning Ballet at CBA since 2003.
Outside of CBA, Miss Mari is a full-time, National Board Certified Teacher with Chicago Public Schools at Sauganash Elementary School. She obtained her undergraduate degree in Elementary Education at DePaul University as well as her Masters degree in Curriculum and Instruction with a concentration in Digital Teaching and Learning at the American College of Education. Miss Mari has also worked and lived with children with exceptional needs for several summers at Camp Starfish in Rindge, New Hampshire. She has been teaching with Chicago Public Schools in kindergarten and 1st grade since 2006.
Miss Mari enjoys helping and watching all her students learn and grow.
Ballet 4 & Adult Ballet
Melanie Cortier (Choreographer/ Artistic Director Eidolon Ballet) has danced professionally with several companies and choreographers throughout the U.S. and abroad, including Michael Mao Dance, Dances Patrelle, Lydia Johnson, Stamford Ballet, American National Ballet, and Gen Horiuchi, for whom she was dance captain at the Opening Ceremonies of the 1998 Winter Olympics (Nagano, Japan). She graduated cum laude from Marymount Manhattan College with a BFA in Dance and has choreographed for Phoenix Productions (Evita), The Puppeteer Cooperative, as well as over 20 ballets for Eidolon Ballet where she has been resident choreographer since its inception.
She has been on faculty at Chicago Ballet Arts, Ballet Academy East New York, and has guest taught at Steps on Broadway, the 92nd St Y Harkness Dance Center, American Youth Dance Theatre, and Ball State University. Her choreography has been has performed at The Joyce SoHo, Ailey Citibank Theater, Lincoln Center’s Clark Studio Theater, Lincoln Center’s Out-of-Doors Festival, New York City Center, Dance Parade’s Dance Fest at Tompkin’s Square Park, The Downtown Dance Festival, Merce Cunningham Studio Theater, Steps on Broadway, The Bridge for Dance, Dixon Place, The Brecht Forum, Borders Bookstore at 57th Street, Summerstreets, the CBS morning show, White Wave Cool NY Dance Festival, Dumbo Dance Festival, Dance Tracks Choreography Showcase, the 92nd St Y Harkness Dance Center, The New York Fringe Festival, Chicago Freelance Dance, Link's Hall, Chicago Ballet Arts at Dance in the Parks, and The Inside/Out Series at Jacob's Pillow Dance Festival.
Photo Credit: Lois Greenfield
Maan Almodovar is excited to be joining the CBA family, to share her passion and love for ballet. An integral component for the higher levels, Maan recently taught as a Pre-Professional ballet instructor, teaching and mentoring students levels IV - VI at the Joffrey Academy of Dance. While at the Academy, she staged classical variations and corps de ballet work for performances, and coached dancers for Youth America Grand Prix. Maan is currently on faculty at The Chicago High School for the Arts, teaching Body Conditioning and Ballet.
She received her dance training from Sherry Moray and Homer Bryant. In 2000, Maan placed 1st in the regional Junior Classical division at Youth America Grand Prix. The following year she placed top 12 in the overall Senior division, as well as, top 12 in New York for the Senior Contemporary division. From 2002-2004, Maan danced with the Alabama Ballet under the guidance and directors Wes Chapman and Roger Van Fleteran. There she performed Arabian in George Balanchine's The Nutcracker and various roles in Cinderella, Romeo and Juliet, and Swan Lake. Following her time at Alabama Ballet, Maan returned to Chicago and performed with the Lyric Opera of Chicago, working with choreographer, Daniel Pelzig in Die Fledermaus. In addition to her dance background, Maan is a Stott-trained Pilates instructor, previously managing a Pilates studio in Lakeview, One Hundred Fitness, from 2010-2018, where she managed and taught Adult Ballet, Zumba, and Pilates.
Ballet 8, Pointe, Variations & Conditioning
Born and raised in Omaha, NE, Sarah Schafer began her professional career as a dancer with Ballet Omaha at the age of 17. After moving to Chicago in 1996, she continued her career dancing in Ruth Page's "Nutcracker" and with companies such as Paul Abrahamson's Moose Project, Luna Negra Dance Theater, The Civic Ballet of Chicago and the Alma Dance Company. Sarah has also danced for the Dallas Opera, Omaha Theater Ballet and most recently with the Lyric Opera of Chicago. In 2003 she choreographed "Momentum is a Vector" for the Omaha Theater Ballet. Having taught ballet for many years, Sarah also became a certified Pilates instructor in 2004. Sarah is currently teaching ballet as an adjunct faculty member at Columbia College Chicago, at Lou Conte's Dance Studio, and at The Jillana School Summer Ballet Intensive in Taos Ski Valley, NM.